National Graphic
Australia, 1968


Conception and Artistic Director: Tom Mùller
Editor-in-Chief: Hannah Mathews
Assistant Editors: Rochelle Phillips and Ben Riding
Designer: Tom Mùller
Feature contributors: Robert Cook, Rebecca Dean, Tania Doropoulos, Andrew Gaynor, Marco Marcon
Other contributors: Rebecca Baumann, Marcus Canning, Brian and Martin Churchill, Thea Costantino, Giovanni Didio, EricaAmerica, Caspar Fairhall, Chris Hill, Thomas Howie, Matthew Hunt, Shannon Lyons, Pilar Mata Dupont, Hannah Mathews, Tom Mùller, Ben Riding, Eli Smith, Jasmin Stephens
Photographs/illustrators: Rebecca Baumann, Aidan Broderick, Marcus Canning, Thea Costantino, Annabel Dixon, EricaAmerica, Caspar Fairhall, Pamela Gaunt, Rodney Glick & Lynnette Voevodin, Brendan van Hek & Consuelo Cavaniglia, Bevan Honey, Matthew Hunt, Laura Johnson, Shannon Lyons, Pilar Mata Dupont & Tarryn Gill, Bennett Miller, Tom Mùller & Rochelle Phillips, Tony Nathan, Poppy van Orde Grainger, Simon Pericich, Ben Riding, Kevin Robertson and diode, Bruce Slatter, Eli Smith, Justin Smith, Ric Spencer & Peter McCaughey
Editions: 68
Pages: 104

This issue of National Graphic has been published on the occasion of the exhibition Linden1968, a major multi-arts survey exhibition that profiles a broad cross section of emerging and established WA-based art practices to an interstate audience. The exhibition is presented as part of the Linden Centre for Contemporary Arts - Innovators Program from 7 November - 14 December 2008.
As an exhibition,Linden1968 includes a selection of artists who have been invited by the project curators to respond to a creative and tight curatorial brief: to devise works and strategies within Linden's interior and exterior spaces that will reshape, transform and comment on the site's previous function as a private guest house in the year 1968. The project curators have asked the participating artists to consider the significant events that marked 1968 - the disappearance of Harold Holt, the assassination of Bobby Kennedy, the earthquake in Meckering, the Paris riots and the opening of the National Gallery of Victoria - in their creative response to the site.