<br />Installation view <i>Elemental Worlds</i>, 2008<br />Photo: Eva Fernandez<br /><br /><br /> <br /><i>Liquid Empires</i>, 2008<br />glass, water, dye, timber<br />60 x 120 x 240 cm<br />Photo: Tony Nathan<br /><br /><br /> <br />Installation view <i>Elemental Worlds</i>, 2008<br />Photo: Eva Fernandez<br /><br /><br /><br /> <br /><i>Façade for Iceberg</i>, 2008<br />acrylic, timber<br />620 x 330 x 120 cm<br />Photo: Eva Fernandez<br /><br /> <br /><i>Mondo Grotto</i>, 2008<br />circular projection with sound<br />dimensions variables<br /><br /><br /> <br /><i>Mondo Grotto</i>, 2008<br />circular projection with sound<br />dimensions variables<br /><br /><br /> <br /><i>Precious Alliance</i>, 2008<br />chalk, acrylic paint<br />320 x 160 cm<br />Photo: Eva Fernandez<br /><br /> <br /><i>Cluster Lustre</i>, 2008<br />acrylic, MDF panel, plaster, theatre lights, mixing table<br />dimensions variable<br />Photo: Tony Nathan<br /><br /> <br />Installation view <i>Elemental Worlds</i>, 2008<br />Photo: Tony Nathan<br /><br /><br />


ELEMENTAL WORLDS

Combining a sense of global scale with a concentration on the minute Tom Mùller's Elemental Worlds confounds apparently commonsensical categories and disrupts the orderly ways we construct and understand our world.

Presenting counter intuitive notions such as 'man-made nature', 'artificial landscapes' and 'nostalgic ideas of nature', Mùller's work is both highly topical and richly poetic. Through cross-weaving our foundational logics and ideas, he suggestively explores the future of humanity and the earth by seeding questions within the very fabric and building blocks of our worldview.

Gentle, even humorous, and yet disturbing, his work anticipates the growing sense of foreboding that has begun to emerge in the public debate of climate change and the environmental sustainability of our current global system.

Melissa Keys
Curator, Perth Institute of Contemporary Arts

Exhibition catalogue
The Australian, 29 Dec 2008